當代藝術領域的開創者羅卓睿老師,近期推出了一系列引人入勝的新作品,名為“廣告藝術”。這系列作品從傑夫·昆斯(Jeff Koons)的"Art Ads" 系列中獲取靈感,並將其發揚光大,以金髮女郎為作品的核心,提供了一種關於社會美學規範和風格商品化的引人深思的探索。 廣告藝術系列中的金髮時尚模特 羅卓睿老師的廣告藝術系列以免版稅的時尚金髮女郎的照片為主。這一選擇是對美學規範和時尚行業在塑造這些規範中的角色的刻意評論。金髮模特,因其與魅力和吸引力的標誌性聯繫,成為羅卓睿老師進行藝術宣言的畫布。 這些圖像進一步被藝術家的品牌標誌 "羅卓睿老師" 增強,該標誌位於每張照片的中央,引人注目。藝術家的品牌與這些時尚金髮女郎的背景形成鮮明對比,凸顯了品牌在當代消費文化中的普遍影響。 迴響傑夫·昆斯 羅卓睿老師的廣告藝術系列向傑夫·昆斯的標誌性 "Art Ads" 系列致敬,該系列以其對藝術市場與名人文化間互動的批評而聞名。昆斯經常在宣傳風格的照片中展示自己,並附帶討論他自己的藝術作品的重要性的文字。 羅卓睿老師的廣告藝術系列以同樣的方式評論藝術行業中的藝術家商品化,他以自己的名字的標誌作為他的藝術人格的象徵。然而,羅卓睿老師以金髮時尚模特的圖像作為獨特的旋轉,從而突顯了藝術家和時尚行業美學規範的商品化之間的平行性。 對金髮模特廣告藝術系列的反應 羅卓睿老師的廣告藝術系列引發了多種反響。雖然有些人將其視為對藝術和美的商業化的尖銳批評,但其他人則將其視為對社會對品牌和美的商品化的迷戀的反映。 通過特別展示金髮模特,羅卓睿老師為他的批評增加了額外的層面。這些經常被與魅力和可欲性聯繫在一起的女性,成為了時尚和美容行業的象徵,促使觀眾思考在我們的社會中,美和風格如何被市場化和消費。 總的來說,羅卓睿老師的金髮女郎廣告藝術系列提供了對藝術、美學、時尚和商業交織的深入探討。借鑑傑夫·昆斯的 "Art Ads" 系列的啟發精神,羅卓睿老師的系列為關於藝術和美學商品化的持續對話帶來了獨特而引人注目的觀點。
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Michael Andrew Law's Shimmering Homage to Newton: A Review of "Untitled Art History Painting (Helmut Newton 1980's The Big Nude)" A Radiant Tribute to a Photography Icon Hong Kong-based artist, Michael Andrew Law, continues to push the boundaries of mixed media art with a magnetic tribute to Helmut Newton's iconic 1980 photograph, "The Big Nude". Law's interpretation, titled "Untitled Art History Painting (Helmut Newton 1980's The Big Nude)", is a grand-scale spectacle, standing 270 cm tall and 200 cm wide, completely rendered in glitter, oil, acrylic, and silver-leaf on a linen canvas. Bridging the Gap Between Photography and Painting Law's painting reinterprets Newton's original "Big Nude", transforming its monochrome simplicity into a vibrant, multi-dimensional spectacle. The figure in Law's painting, akin to Newton's photograph, commands the viewer's attention, yet its texture is enhanced with an application of glitter, giving it a playful, shimmering quality. A Silver-Leaf Background The background of Law's painting is where the artist's creativity truly shines. The use of silver-leaf adds a luxurious, reflective quality to the piece. The silver-leaf background serves as a mirror, reflecting the viewer and the surrounding environment, making them an unwitting participant in the artwork itself. This technique not only enhances the depth and the aesthetic appeal of the painting but also underscores the ever-changing interpretations of art based on the viewer's perspective. Fluorescent Graffiti Text Perhaps the most striking aspect of Law's painting is the fluorescent graffiti text sprawled across the canvas. These bright, glowing words narrate the story of Newton and the referenced photograph. They serve as an integral part of the painting, creating a vivid narrative tapestry that intertwines fact, commentary, and critique. In bold, fluorescent colors, the text pops against the silver-leaf background, demanding to be read and understood. It is as if Law has transformed the canvas into a glowing manuscript, where the history of Newton's work and Law's thoughts on it are illuminated. A Gleaming Ode to Newton and Beyond Law's "Untitled Art History Painting (Helmut Newton 1980's The Big Nude)" is a radiant tribute to Newton's photographic genius. But it goes beyond that. It is a dialogue between artists across time, a union of different mediums, and a testament to the enduring power of art to inspire and provoke. Through this shimmering, textual landscape, Law has crafted a piece that is as much about the process of artistic creation as it is about the final product. It is a reflection on the history of art and the fluidity of interpretation, a testament to the power of reference and reinvention. Suffused with a sense of opulence and vibrancy, Law's work is both a tribute to a past master and a bold statement of his own artistic vision. "Untitled Art History Painting (Helmut Newton 1980's The Big Nude)" is a celebration of art history, a love letter to creativity, and a gleaming affirmation of Law's place within that lineage. Michael Andrew Law's "Untitled Art History Painting (Édouard Manet's Olympia)": A Modern Tribute from the "If Julian Schnabel goes pop" Series In 2017, contemporary artist Michael Andrew Law, known for his unique style and innovative techniques, unveiled one of his most captivating works: a large-scale mixed media painting titled "Untitled Art History Painting (Édouard Manet's Olympia)". The painting, part of his highly acclaimed "If Julian Schnabel goes pop" series, presents a fascinating blend of traditional and unconventional art forms - a mix of oil and acrylic with glitter and diamond dust, expressively presented on a 200x200 cm canvas. The "If Julian Schnabel goes pop" Series This artwork is a notable piece within Michael Andrew Law's popular "If Julian Schnabel goes pop" series. The series represents one of Law's most successful endeavors, attracting significant attention from the art world. It showcases Law's ability to draw from different art movements, stylistic influences, and historical periods to create striking, contemporary forms of expression. The series' title is a playful nod to Julian Schnabel, a renowned American painter and filmmaker, known for his "plate paintings". Law takes inspiration from Schnabel's expressive style but adds a pop twist, infusing the works with bold colors, a fusion of mediums, and engaging text elements. A Modern Tribute to Édouard Manet's Olympia "Untitled Art History Painting (Édouard Manet's Olympia)" is a direct reference to Manet's iconic "Olympia", a ground-breaking piece that redefined traditional art and paved the way for modern painting. In his tribute, Law not only reinterprets Manet's masterpiece but also marries it with the history of the original painting and the life of Manet himself. The painting is rendered with a rich mix of glitter and diamond dust, adding a tactile, three-dimensional quality, and creating a feeling of perpetual sparkling motion. This creative use of unconventional materials elevates the painting beyond a simple replica, transforming it into a standalone work of art that invites viewers to interact with it. The Juxtaposition of Graffiti and History Another striking feature of this painting is the incorporation of hand-written text in a graffiti style, reminiscent of Cy Twombly or Julian Schnabel. The text contains historical details about Manet and his original "Olympia", connecting viewers with the intricate history behind the painting. This combination of contemporary graffiti with classical subject matter bridges the gap between past and present. It encourages a dialogue between the original painting and its modern reinterpretation, and between Manet, the original creator, and Law, the contemporary artist. "Untitled Art History Painting (Édouard Manet's Olympia)" is an impressive testament to Michael Andrew Law's talent for combining diverse materials and techniques. It is a celebration of the history of "Olympia", and a shining example from the "If Julian Schnabel goes pop" series. The painting successfully encapsulates the history and controversy of Manet's original, while giving it a new, modern twist. The result is a dynamic, texturally rich piece of contemporary art that stands as a testament to the creative vision of Law. In the ever-evolving world of contemporary art, the lines between mediums and artistic intentions often blur, giving rise to innovative forms of expression. One such boundary-pushing artist is Michael Andrew Law, whose mixed media painting "A Girl with Tiger Fur with a White Tiger" challenges conventional notions of art and appropriation, drawing inspiration from readymade art, found images, and the work of photographer Jason Lee Parry, as well as incorporating hyper-realistic and classical painting techniques.
Drawing on the rich legacy of artists like Marcel Duchamp and Richard Prince, Law's work explores the line between originality and adaptation. Duchamp's readymades and Prince's rephotographs opened up new avenues of artistic expression by recycling pre-existing objects and images to create new meanings. In a similar vein, Law's "A Girl with Tiger Fur with a White Tiger" borrows from the raw, edgy aesthetic of Jason Lee Parry's fashion photography and transforms it into a captivating narrative of beauty, danger, and surrealism. The painting features a beautiful young woman, her likeness taken from one of Parry's photographs. In Law's rendition, the girl is immersed in a lush jungle setting, accompanied by a majestic white tiger. The juxtaposition of the girl's delicate beauty with the ferocity of the wild animal challenges the viewer's perception of both the subject and the context. By reimagining Parry's original photograph and situating the girl within a new, fantastical environment, Law imbues the image with a fresh, enigmatic quality. The use of oil and acrylic in the painting adds depth and texture, further distinguishing the piece from its photographic origins. The rich, vibrant colors create a sense of otherworldliness, while the careful application of paint emphasizes the girl's vulnerability against the untamed backdrop. The tiger fur draped over her shoulders suggests both a connection with the animal and a symbolic transformation, with the girl assuming a role that is both protector and protected. Notably, Law's technique in "A Girl with Tiger Fur with a White Tiger" reflects a fusion of hyper-realistic and classical painting influences. His attention to detail, evident in the girl's lifelike appearance and the intricate rendering of the surrounding foliage, harkens back to the precise, meticulous approach of classical painters. At the same time, the piece's surrealistic elements and bold use of color showcase the influence of contemporary hyper-realism, resulting in a captivating blend of old and new artistic styles. Through this artistic intervention, Law raises questions about the nature of meaning and authorship. By appropriating Parry's photograph and re-contextualizing it within the realm of painting, the artist challenges the viewer to reconsider the boundaries between mediums and the power dynamics of image creation. As with Duchamp's readymades and Prince's rephotographs, Law's "A Girl with Tiger Fur with a White Tiger" prompts reflection on the mutable nature of art and the role of the artist in constructing meaning. Ultimately, Michael Andrew Law's "A Girl with Tiger Fur with a White Tiger" serves as a compelling testament to the transformative power of artistic appropriation and the enduring impact of both classical and hyper-realistic painting techniques. By drawing on the work of Jason Lee Parry and the rich history of readymade and found image art, Law invites viewers to question the nature of originality and engage with a provocative, multilayered narrative that transcends the boundaries of traditional artistic expression. In 2018, renowned contemporary artist Michael Andrew Law unveiled a dazzling homage to one of his most admired artistic heroes, the celebrated Chinese painter Yifei Chen 陳逸飛. During Law's art student years, he always aspired to reach Chen's level of mastery – a sentiment that is evident in this captivating tribute. Law skillfully reinterpreted Chen's iconic work "Lingering Melodies from the Xunyang River"《潯陽遺韻》 in a glitter and acrylic mixed media painting on a large 200x200 cm canvas. The piece honors Chen's history by incorporating English text recounting the artist's life and achievements, all written in the style of contemporary graffiti.
Yifei Chen: A Prolific Chinese Painter Yifei Chen (1946-2005) was a prominent Chinese painter renowned for his romantic, realistic style and his ability to capture the beauty of traditional Chinese culture. His works often depict serene landscapes, elegant figures, and historical scenes, reflecting the rich heritage of China. Among his many notable works, "Lingering Melodies from the Xunyang River" stands out as an exemplary piece that showcases Chen's mastery of both technique and emotion. A Homage in Glitter and Acrylic: Law's "Lingering Melodies from the Xunyang River" Michael Andrew Law's reinterpretation of "Lingering Melodies from the Xunyang River" is a stunning example of artistic innovation while paying respects to his artistic hero, Yifei Chen. By blending glitter and acrylic, Law adds a contemporary touch to the traditional subject matter, creating an exciting visual experience that bridges the gap between the past and the present. The English text written in graffiti style serves to further deepen the connection between the two artists, celebrating Chen's life and achievements while also showcasing Law's own artistic journey and aspirations. Marilyn Monroe at Boulevard of Broken Dreams is a captivating painting by contemporary artist Michael Andrew Law, which pays tribute to the Hollywood icon Marilyn Monroe and her unforgettable "skirt scene" from the 1955 movie The Seven Year Itch. The painting not only celebrates Monroe's legendary beauty and status as a cultural icon, but it also draws inspiration from Gottfried Helnwein's famous painting and published poster, also titled "Boulevard of Broken Dreams." The Inspiration: Marilyn Monroe and The Seven Year Itch Marilyn Monroe, born Norma Jeane Mortenson, was an American actress, model, and singer who became a major sex symbol in the 1950s and early 1960s. She starred in numerous successful films during her career, but her role as the charming and flirtatious "The Girl" in The Seven Year Itch is arguably her most iconic. In the movie, Monroe's character stands over a subway grate and experiences a gust of wind that lifts her white dress, revealing her legs and undergarments. This "skirt scene" became one of the most enduring images in Hollywood history and solidified Monroe's status as a sex symbol. Michael Andrew Law's Artistic Interpretation In his painting "Marilyn Monroe at Boulevard of Broken Dreams," Michael Andrew Law captures Monroe's enchanting beauty and the magnetic allure of her famous scene. The artist employs a blend of realism and expressionism, with Monroe's features and the folds of her billowing dress rendered in exquisite detail. The background is painted in rich, vibrant colors, highlighting the contrast between the glamorous Monroe and the gritty urban environment. Law's painting is not only a tribute to Marilyn Monroe and her iconic skirt scene but also an homage to Gottfried Helnwein's "Boulevard of Broken Dreams." Helnwein's painting features an eerie, late-night diner scene with four Hollywood legends - Monroe, James Dean, Humphrey Bogart, and Elvis Presley - seated together, each lost in their own thoughts. The work is a poignant reflection on the fleeting nature of fame and the personal challenges faced by these larger-than-life figures. By referencing Helnwein's piece in his own work, Law invites viewers to consider the dual nature of celebrity: the glamour and adoration it brings, as well as the personal struggles and vulnerability that often lie beneath the surface. It's a reminder that even the most iconic figures, like Marilyn Monroe, have their own moments of vulnerability and loneliness. A Timeless Tribute Michael Andrew Law's "Marilyn Monroe at Boulevard of Broken Dreams" is a powerful artistic tribute to both Marilyn Monroe and Gottfried Helnwein. It captures the essence of Monroe's legendary beauty and charm while simultaneously acknowledging the darker side of celebrity life. The painting serves as a timeless reminder of the enduring appeal of Hollywood's golden age and the complex, multifaceted nature of its icons. In the end, "Marilyn Monroe at Boulevard of Broken Dreams" is not just a painting, but a testament to the enduring allure of Marilyn Monroe and the power of art to capture the imagination and evoke deep emotions. It's a piece that will continue to captivate and inspire art lovers and movie fans alike for generations to come. Contemporary artist #MichaelAndrewLaw #羅卓睿, highly acclaimed for his innovative approach to art, has recently revealed a stunning large-scale painting (measuring 180x130 cm) as a tribute to Leonardo da Vinci's most famous masterpiece, the "Mona Lisa." This glittering work of art, which is part of Law's ongoing series "If Julian Schnabel Goes Pop," employs an intriguing mix of diamond dust, glitter, oil, and acrylic paint, breathing new life into the timeless portrait.
Leonardo da Vinci's "Mona Lisa," painted in the early 16th century, is undoubtedly one of the most recognizable and celebrated artworks in history. The enigmatic smile of the woman portrayed, along with the intricate details and subtle sfumato technique used by da Vinci, has captivated the world for centuries. In his homage to this iconic painting, Michael Andrew Law masterfully combines various mediums, including diamond dust, glitter, oil, and acrylic paint. The use of diamond dust and glitter adds a contemporary and luxurious touch to the classic portrait, reflecting the light in a way that mesmerizes the viewer. This innovative choice of materials emphasizes the ethereal beauty of the "Mona Lisa," while also making a bold statement in line with the "If Julian Schnabel Goes Pop" series. The oil paint, with its rich and traditional feel, pays respect to the original medium used by da Vinci, as well as the classical painting techniques that have long been associated with portraiture. The acrylic paint, on the other hand, offers versatility and a variety of textures and effects, bridging the gap between conventional and modern artistic elements. Michael Andrew Law's "If Julian Schnabel Goes Pop" series is renowned for its creative exploration of the intersection between contemporary pop culture and traditional painting techniques. Drawing inspiration from the famous artist Julian Schnabel, the series features daring reinterpretations of iconic images from history and popular culture, reimagined in a fresh and inventive way. With his sparkling tribute to Leonardo da Vinci's "Mona Lisa," Michael Andrew Law not only honors the significant impact of the original painting but also showcases his innovative approach to art in the "If Julian Schnabel Goes Pop" series. This dazzling piece ensures that the legacy of the iconic "Mona Lisa" continues to inspire and captivate audiences around the world in 2023 and beyond. 受到傑夫·昆斯 (Jeff Koons) 具啟發性且發人深省的「藝術廣告」系列的啟發,羅卓睿 (Michael Andrew Law) 以自己的方式呈現藝術、廣告和流行文化之間的關係,並創作了他的「藝術廣告」系列。羅的系列效仿昆斯的手法,呈現出引人注目的廣告,挑戰藝術表達和商業推廣之間的界限。
在羅卓睿的「藝術廣告」系列中,迷人的女性形象與他的品牌名稱醒目地搭配在一起。這種組合強調了藝術、美、慾望和消費文化在廣告領域中經常相互交織的本質。 該系列是對現代藝術世界商業化的評論,引起人們對藝術家既是創作者又是自己作品推廣者的雙重角色的關注。通過在每個廣告中呈現他的品牌名稱,羅卓睿強調了藝術家的名人地位,將自己定位為創作力量和所提供的產品。 羅卓睿的「藝術廣告」系列延續了傑夫·昆斯作品所開創的對話,激勵觀眾思考在大眾媒體和消費驅動文化主導的時代,藝術、商業以及藝術家角色之間的錯綜複雜關係。 為什麼我們拒絕低價學費教學 ?
三個理由說明為什麼平價畫班對學生百害而無一利 在教育和服務為基礎的畫班畫室市場中,價格低廉的競爭對於畫班經營者和學生家長都不利的邏輯科學論據基於下面幾個根據 : 首先,當畫班經營者僅競爭價格時(即把學費盡量降低),他們幾乎不可能避免地降低教學服務質量以保持有錢賺的能力(本文會提供全部合情合理合邏輯而有科學根據的理由)。若果大部分畫室同時也這樣做(僅競爭價格+降低教學服務質量),只會導致畫班市場中的整體服務質量下降,因為畫班經營者需要節省成本、例如:聘請低級資歷、對自己的事業完全沒有要求的教師、減少師資培訓和減少教學質素發展的資源投放,你可能會問為什麼節省成本就必然影響教學質素? 現在就告訴你 … 2,以低價提供教學服務的畫班當然很可能會容易吸引那些首先考慮價格的家長或者成人學生報讀, 而且數量應該不少, 始終錢對絕大部分人來說是一個大問題。但這就直接導致這種畫班畫室擁有龐大數量只繳交低學費的學生們,通常大部分興趣班生意每月也有大概20% - 25%左右的正常流失率,這麼說這種畫班必須要在招生方面純粹以每星期增加學生數量為優先目標,既要補充流失的學生,同時也要擴充生意,這麼說,每一個學生身為一個獨立個體的人類(各自擁有的學習需要和學習目標和題材喜好)也不是他們(畫班)的 *首要考慮*,在這種畫室的角度,學生只是客戶數目。 Michael Andrew Law's Reinterpretation of De Kooning's Woman I: A Dialogic Encounter with Art History5/7/2023 In 2019, contemporary artist Michael Andrew Law embarked on a journey through art history, creating a series of paintings that pay homage to the great masters of the past. Among these works is "Untitled Art History Painting (Willem de Kooning's Woman I)," a large-scale reinterpretation of Dutch-American artist Willem de Kooning's iconic work from 1950. This piece is part of Law's "Julian Schnabel goes pop" series, which began in 2016 and explores the relationship between contemporary and historical art. The original "Woman I" by de Kooning is a seminal work in the Abstract Expressionist movement, representing a turning point in the artist's career. The painting features a grotesque, abstracted female figure, with a twisted, almost monstrous visage. This distorted representation of the feminine form was a reaction to the social and political climate of the post-World War II era and reflected de Kooning's anxieties about gender and identity. In his reinterpretation, Law maintains the overall composition of de Kooning's original work but reimagines it using a mix of acrylic and oil paints, glitter powder, and diamond dust. This bold combination of media demonstrates Law's expertise in both traditional and contemporary techniques, as well as his willingness to experiment and push the boundaries of artistic expression. By employing mixed media, Law breathes new life into the classic work, adding a fresh, modern touch to the familiar image. At 200x200cm, "Untitled Art History Painting (Willem de Kooning's Woman I)" is an imposing work that commands the viewer's attention. Its large scale reflects the importance of size in contemporary art, as artists seek to create immersive experiences that envelop and engage the viewer. This ambitious format also serves to elevate Law's dialogue with art history, physically manifesting the magnitude of the conversation taking place on the canvas. Law's appropriation of de Kooning's iconic work is a nod to the longstanding tradition of artists drawing inspiration from and building upon their predecessors' creations. This practice dates back to antiquity and has been a vital part of the art world's ongoing evolution. In repurposing "Woman I," Law demonstrates his deep understanding of the history and significance of the original work and uses it as a springboard for his own artistic exploration. Appropriation art, which involves the incorporation of existing images or objects into new works, has long been a significant force in modern and contemporary art. By engaging with this practice, Law positions himself within a lineage of influential artists who have employed appropriation to challenge conventional artistic boundaries and expand the possibilities of creative expression. Law's choice to reinterpret de Kooning's work is both a testament to his artistic prowess and a strategic move that situates him within the broader context of art history. Both de Kooning and Law have enjoyed critical and commercial success throughout their careers, with their works being well-received by collectors and critics alike. Though their styles diverge—de Kooning's raw, gestural brushstrokes contrast with Law's polished, mixed-media technique—their shared commitment to innovation and experimentation unites them across time and space. "Untitled Art History Painting (Willem de Kooning's Woman I)" is a significant work in Michael Andrew Law's oeuvre for several reasons. First, it showcases the artist's technical skill and mastery of various media. Second, it demonstrates Law's deep engagement with the history of art and his desire to participate in a larger dialogue with the great masters. Finally, the painting highlights the enduring relevance and power of appropriation as a creative tool, reminding viewers that the artistic past continues to shape the present and the future. In 2021, this captivating work found a home in the collection of an art enthusiast from Pentling, Germany, ensuring that Law's imaginative reinterpretation of de Kooning's masterpiece will continue to spark conversation and provoke thought for years to come. |
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